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BIOGRAPHY
Career

Katharine Hepburn had a long and eventful career. She had a combination of good luck and bad, but she always seemed to learn from her mistakes and figure out how to make the best of any situation. While she quickly became a celebrity she fought to keep her private life, private and separate from her professional life. The following are photos of her in "professional mode". She dressed often in slacks and wore no makeup off the set.

 

However, she brought a distinguished touch of class to her movies and was truly unique. She has had both success and failure in her career, but always seemed capable to outstanding all challenges.

She started her acting career while in college at Bryn Mawr college, which was her mother's alma mater. In her junior and senior years, she played the part of a young man in Milne's The Truth About Blayds and appeared as Teresa in The Cradle Song.In the spring of her senior year, she went to Baltimore, using money loaned to her to seek out Edwin H. Knopf, who had a stock company there which she quickly joined. Her first role for this group was that of a lady-in-waiting in The Czarina. This small part was acted well enough to give her bigger parts.

As Pandora, at Bryn Mawr, in pastoral The Woman in the Moone
Play within a Play in Morning Glory
What appeared to be a big break came when Knopf decided to move to New York and open a new play called The Big Pond. After ten days of rehearsal, Kate was given the lead. However, her acting was so unsettled that she was fired after just one performance. It seems that it was too big a performance for such a novice actress. But she persevered and she had several small parts which earned her some good notices and even won a part as understudy to socialite star Hope Williams in Philip Barry's Holiday. Finally in Benn W. Levy's Art and Mrs. Bottle, she won praise from a number of critics.
with her gibbon monkey, Amos with Leland Hayward, her agent. The Warrior's Husband
The Big Pond Kate in transit arrival in Hollywood
During the summer of 1931, she joined the Ivoryton Players at Ivoryton, Connecticut for a season of stock. She benefited considerably from this experience and landed the role of Daisy Sage in Philip Barry's comedy The Animal Kingdom. Unfortunately, the play was too long and her part was cut from the production. Her next play was The Warrior's Husband and the critics liked her performance. Mrs. Kermet Roosevelt saw Kate and immediately telegramed Merian C. Cooper, executive producer of RKO Radio Pictures, about her. Soon, David O. Selznick offered her a contract. Because Kate was not keen to go to Hollywood, she asked for a ridiculous salary of $1,500/week. She did a screen test from Holiday and was shocked to learn that RKO had met her price.
A Bill of Divorcement with Billie Burke Scene from Little Women Alice Adams
So, in July, 1932 off to Hollywood she went with her friend Laura Harding to star in her first film A Bill of Divorcement which made her a star. She arrived and had just gotten a piece of steel filing in her eye, which was almost swollen shut, and was wearing what she thought to be a very fashionable dress. Selznick was said to say "This is what they're paying $1,500 for?" She made five films between 1932 and 1934. For her third, she made Morning Glory and won her first Academy Award. Next, she did Little Women and it was very successful.
In 1934 she left Hollywood for a short time and returned to Broadway to star in The Lake which was a disaster. Soon, back in Hollywood, she didn't have much more luck. From the period of 1935 to 1938 she had many flops except for Alice Adams which she earned her second Oscar nomination for and Stage Door, 1937 which was a critical success. Because she had so many unsuccessful films, she was labeled as "box office poison" and therefore decided to go once again, back to New York to star in the stage version of The Philadelphia Story.
Scene from Stage Door Philadelphia Story on the stage Philadelphia Story on the stage

Lucky for her, it was a success and she quickly bought the film rights and was able to therefore get herself back to Hollywood on her own terms allowing her to choose both director and costars. With the success of the film The Philadelphia Story, she was once again on top winning her third Oscar nomination. For the rest of the 1940's and 50's she made many films with Spencer Tracy which are detailed in the Hepburn/Tracy films area.

Starting in 1951 she moved into middle-aged spinster roles by starring as Rose in The African Queen. She received her fifth Oscar nomination for her part in this film.

So, from then on she played many similar parts in such films as Summertime, The Rainmaker and Suddenly, Last Summer. She also received Oscar nominations for these films.

In the 1960's she made few films. She received her ninth Oscar nomination for Long Day's Journey into Night and during this decade made her last film with Spencer Tracy, Guess Who's Coming to Dinner in 1967 for which she received yet another Oscar nomination and won. She also won for her portrayal in The Lion in Winter. To see other awards and nominations go to this page on the Internet Movie Database.

In the 1970's she did mostly TV movies, the best of which was Love Among the Ruins with Laurence Olivier and The Corn is Green.

Then, in 1981 she won her latest Oscar for her role as Ethel Thayer opposite Henry Fonda in On Golden Pond.

Falling into the canal in Venice in Summertime
On Golden Pond
She wrote her autobiography, "Me, Stories of My Life" in 1991 and did a TV film about her life based on this book.
Kate in dungarees and mink rare glimpse of Kate as a bathing beauty
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This Katharine Hepburn site was:
First established July 15, 2001
Renovated: July 9, 2003
Last Update:July 4, 2008

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